Catherine of Alexandria (1533)., Bergamo Portrait of a Lady as Lucretia (1533).
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They are still found in paintings by and in the poker ragnarok 17th century, and Dutch paintings until the poker gewinne auszahlen 1660s and sometimes later.Washington,.C.: Catalogue of the exhibition in the National Gallery of Art; New Haven: Yale University Press, 1997.Lorenzo Lotto, although they appear in many earlier.He began 1513 with a monumental altarpiece: the " in the Dominican church of the in Bergamo.Weitere Informationen zu unseren Cookies und dazu, wie du die Kontrolle darüber behältst, findest du hier: Cookie-Richtlinie.He was active during the and the first half of the period, but his work maintained a generally similar style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman.Louvre, Paris Pietà (15381545)., Milan, Uffizi, Florence, Church of, Madonna of the Rosary (1539).1539)., Pinacoteca Civica Francesco Podesti Portrait of a Man with a Felt Hat (c.His work in Bergamo, the westernmost town of the Venetian republic, was to prove his best and most productive artistic period, when he received many commissions from wealthy merchants, well educated professionals and local aristocrats.Lorenzo Lotto, lorenzo Lotto, late Renaissance Italian painter known for his perceptive portraits and mystical paintings of religious subjects.This was a productive period in his life, during which he painted several altarpieces and portraits.
However, in his portraits and in his early painting (1505) Washington he shows the influence of 's Naturalism.The "Lotto" pattern as a fashion in carpets (1st.).Left image : Large Lotto carpet, Western Anatolia, 16th century.Metropolitan Museum of Art, New York."New Contributions to Lorenzo Lotto".
Carpets with a muted deep red ground of wonderful intensity, patterned with small medallions, hail, perhaps, from Bergama.
Lotto carpets used to be known as Small-pattern by Western scholars, but Holbein never painted one, unlike who did so several times, though he was not the first artist to show them.